At BlackFest we have been in deep reflection and contemplation during this time. We wanted to create a meaningful, creative response to the Black Lives Matter movement. Our artistic director Jubeda Khatun decided to use the strength of our varied creative community of artists, to curate an anti-racist soundscape that embodies the ebb and flow of collective personal responses. Through the medium of poetry and spoken word pieces, the sense pain and of resilience are given expression through voices of the artists that we have engaged who are from Black and other backgrounds but who are active in campaigning for racial equality and restorative justice.
We were able to create micro commissions for 22 artists, mentoring their way through the process. International and UK artists, from many different backgrounds, joined forces, and spoke creatively and freely on the term black and BLM means to them. This was heartfelt, provocative and came with many important messages, such as, ‘Love me for the colour of my skin,’ ‘Black is the valley from which humanity’s deepest truths flow,’ ‘Inspire like Obama, Abbott or Sir Learie.’
Our artistic director asked the artists to write a positive piece of poetry about what Black means to them. It didn’t have to be long, it could just be 5 lines. Linguistically this challenged the artists to create a positive pieces of poetry that saw themes around Blackness which envisioned, celebrated, Black and safe together, Black and protection, and uplifting darkness, yin and yang away from the negative narrative we are so conditioned to see.
This was inspired by the pandemic, which has been described by many as “a cocoon of complete darkness that we are living in, and one day we will emerge as a butterfly”. In the blackness is when the caterpillar transforms, metamorphosis takes place and the butterfly emerges. This sense of transformation is why this process soundscape was so important. Jubeda not only challenged the artists to write such poetry, but also asked them to see the darkness, Blackness, not in the way we have been conditioned to think, but to shift it to a greater purpose. To change the narrative and in language, visually speaking, Black is charged with positive connotations around it. We wanted to affirm its truth.
We received a varied response to the original brief, and some of our artists were angry and full of pain. We quickly realised that we needed to hold space for this expression and that there weren’t many safe spaces in which our artists felt they could express their raw emotions. Everything our artists were feeling was valid, the hurt, the pain, the anger was part of this journey that we took with them, and it was a challenge to write positively as the media has conditioned a negative narrative, that is so deeply seated. This is when we returned to the artists to write another poem, which celebrated Blackness.
We collated all the creative responses so we now have an eclectic piece with everything felt during the height of reaction to George Floyd’s murder and what we want to see going forward – we have the empowerment, the pain. catharsisism, anger, beauty, sadness, hope and justice. Change the narrative and see pieces of work that are authentic and challenge the status quo. One where we write a narrative completely free.
Composed with powerful words of inspiration, spirituality, pain and frustration it’s also a soundscape with words to uplift for black celebration. By creating the soundscape the hope was to be able to pull all of these emotions together and push the story towards a reminder of the essence of beauty of power attached to blackness – Breezy idegoyke.
“Opening with a questioning of blackness, and setting the tone of our struggles, the tribal and native rhythms were introduced to help remind of ourselves of geographical origin, Africa.
The soundscape progresses to being reminded of the struggles of living outside of that environment today. What can sometimes feel like a dark, heavy burden weighing heavy on the heart is matched with big drops and heavy kicks in the sounds space. From there we enter depths of blackness to which we emerge into beautiful brightness. To support the spiritual feeling that was also present in the narrative it is matched with the synthesizers and light pads sounds to make the scene very wide and atmospheric. To draw it to a close, it was a reminder of diversity on the narrative and explanations of blackness, using different expressions and different languages. To finish we closed out with music in jazz form, this was to remind ourselves of the true essence of being black in its wholeness.”
We are so proud of this piece of work, which encompasses bravery, hope, and real emotion. We are hoping to curate and organise more collaborations and commissions like this in the future, and we look forward to continuing a long and healthy relationship with these wonderful artists who were involved.
Produced and Sound engineered by Breezy Idegoke
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